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						Het einde
 
						schervenstad
Nadine en haar tweelingbroer Isaac zijn op hun veertiende door het stukgelopen huwelijk van hun ouders ook van elkaar gescheiden. Isaac vertrekt met hun Libanese vader naar diens geboorteland, terwijl Nadine met hun Nederlandse moeder achterblijft in Noord-Limburg. Als de wereld jaren later wordt opgeschrikt door een explosie in de haven van Beiroet, weet Nadine één ding zeker: ze moet erheen.
 
						Caseggiati arancioni
 
						El silencio es lo primero
 
						Uy, nenas (It’s Both Heaven and Hell Here. Moldova: a Century of Lived History)
Cestou domů
Urșii panda din Ueno
 
						La rinnegata
A story of three generations of women, their courage and search for independence in the face of superstition and prejudice, in the spirit of Natalia Ginzburg and Elena Ferrante. In this striking debut, based on a true story, Valeria Usala bears witness to an age-old story of violence against women and takes us into the heart of rural Sardinia, where superstitions and cruelty coexist with the joys and companionship of a tight-knit community.
Teresa runs a shop and a tavern. But not even the family she has created with the man she loves can protect her from the malicious gossip of jealous locals, who are threatened by her independence. Her own mother, Maria, was made an outcast, and now Teresa is in turn forsaken by the villagers. Will she pay for her success with her life? Is she like a character in Greek tragedy, whose destiny is inevitable? A story that gives voice to the forgotten women of Sardinia—and to the one of women everywhere.
 
						Bilo je nekoč na Krimu
 
						Ovce so cele
Een paar verdwaalde minuten
 
						Garduri vii
 
						Esta sangre masticada
 
						Живи плетове
 
						Zwaar water
 
						Dit gekauwde bloed
 
						Strážných
 
						In The End (Koniec)
Metaphysical and blasphemous novel about the tragedy of war that never meets a clean end with a peace treaty. The war goes on, residing within its victims who carry it from one generation to the next.
Malwina, an exceptionally sensitive girl, experiences her grandmother’s wartime memories in her dreams. This makes her exist in two parallel realities at once: the 1940s Eastern borderlands and Siberia along the 1990s Poland. Those realities seep and bleed through one another, making Malwina a catcher of her survivor grandmother’s dreams, or perhaps a dybbuk who gives voice to the dead. To Malwina, the war persists, haunting her day and night alike. Poignant and piercing, Koniec is an impressively well-crafted prose.
 
						Krimski roman
 
						 
 
																	
																 
 
																	
																 
 
																	
																 
 
																	
																 
 
																	
																 
 
																	
																 
 
																	
																